My Astrophotography Cameras
My main camera for astrophotography. The full-frame mirrorless sensor delivers exceptional low-light performance with minimal noise at high ISOs (up to 12,800 usable for Milky Way work). The in-body stabilisation helps with untracked foreground shots, and the robust weather sealing stands up to Cornwall’s coastal dew and occasional drizzle. Paired with the FTZ adapter, it seamlessly uses all my older F-mount lenses.
My trusty backup DSLR — a classic that still holds its own. The 12MP sensor produces beautifully clean files when stacked, and its dynamic range is perfect for blending foregrounds lit by moonlight or subtle light painting. I often keep it as a second body for wide-angle timelapses.
My Lenses for Milky Way Photography
My absolute go-to lens for Milky Way nightscapes in Cornwall. The wide 20mm focal length captures expansive scenes over dramatic foregrounds like Kynance Cove or Bodmin Moor, while f/1.8 gathers plenty of light for sharp, coma-free stars right into the corners. It’s compact, focuses quietly, and performs brilliantly on both the Z6II and D700. Perfect for slightly tighter compositions or when I want to emphasize foreground elements like ancient standing stones or coastal cliffs. Still fast enough for clean Milky Way shots, and the natural perspective avoids the extreme distortion you sometimes get at 14-15mm.
Not a dedicated astro lens, but invaluable for twilight foregrounds or scouting compositions before the galactic core rises. The constant f/4 aperture and sharp optics make it a reliable daytime-to-night transition lens.
Allows seamless use of my F‑mount lenses on Z‑mount bodies with full autofocus and metering essential for keeping my favourite astro lenses in rotation.
Used primarily for lunar photography and deep-sky objects. With the iOptron tracker, it delivers surprisingly sharp results on brighter targets like the Andromeda Galaxy or Orion Nebula from Cornwall’s darker sites.
Tripods & Mounts for Night Photography
Rock-solid stability is non-negotiable on windy Cornish cliffs. The extra-long Mach3 legs get me high enough for comfortable framing.
allows millimeter-perfect polar alignment for tracked shots essential for noise-free, detailed Milky Way panoramas.
Lightweight option for hikes into remote spots like West Penwith or the Lizard. It’s quick to deploy and surprisingly sturdy for its weight. Ideal For Wide Field & Milky Way Photography
Star Trackers & Alignment Tools
For Long Exposures Over 30sec
My star tracker of choice. Compact, accurate, and capable of carrying the Z6II + 150-600mm. It transforms few second exposures into several-minute tracked exposures, revealing faint nebulae and reducing noise dramatically in post-processing.
Pairs with the Benro tripod for even more precise polar alignment on longer sessions. A small upgrade that makes a big difference when pushing exposure times.
Great addition for quick deep-sky grabs or scouting targets. & sharing live views during workshops giving participants a chance to see nebulae in real time on the app.
Power, Storage & Essentials
A lifesaver on damp Cornish nights. Coastal humidity can fog lenses in minutes the dew heater keeps the front element clear all night without affecting image quality.
Multiple 20,000mAh banks keep everything running through long nights.
fast 128GB/256GB cards handle high-resolution timelapses without buffering.
Lighting & Accessories
My go-to compact torch for night shoots, delivering 450 lumens with a 300m beam for setup illumination or subtle light painting without ruining dark adaptation. The Advanced Focus System switches seamlessly from spot to flood, and IP54 weather resistance handles Cornwall's coastal conditions. Runs 1-25 hours on 4 AAA batteries.
Preserves night vision while setting up or light painting. The dimmable light is bright enough to work by but doesn’t ruin adapted dark vision.
Compact, rechargeable LED panels for subtle light painting on foregrounds. I use warm tones to add depth to rocks or ruins without overpowering the natural Milky Way glow.